Interactive Artwork - Michelle Lisa Herman

Untitled (You Used to Call Me on My Cellphone)

2018
Mixed-media Installation (plaster, aluminum cans, string, arduino, and speaker)

Untitled (Tether)

2017
Mixed-media Interactive Installation (3-D printed ceramic, led lights, arduino, laser, wire, and diffusion film, acrylic, mdf, sumi ink, paper)

Sad Bear

2016
Interactive Sculpture (found objects, wood, arduino microcontroller, bicycle pump, ultrasonic sensor, acrylic)

Invisibility

Invsibility Installation by Michelle Lisa Herman

2014, 2015, 2016
Mixed Media Installation

Virtual Window

2011
Mixed Media Installation (Projector, projection film, window, live video feed, false wall)

Social Network

2011, 2012, 2013
Interactive Audio Installation (Plaster, resin, arduino, PIR sensors, speakers, computer, and audio equipment)

Love Letters (Language is a Virus) I

"Love Letters" Audio Sculpture by Michelle Lisa Herman

2010
Mixed Media Sculpture (Modified telephone, remote control, MP3 player, and audio recording)

Michelle Lisa Herman is a Washington, DC-based multidisciplinary artist whose practice spans theoretical and philosophical research, feminist and disability politics, comedy, and conceptualism. Herman has shown internationally in both group and solo exhibitions at locations such as the Centre de Cultura Contemporània de Barcelona (Barcelona, Spain), Cinéma du Foyer Saint-François (Bourges, France), the Corcoran (Washington, DC), The Smithsonian Institution (Washington, DC), The Kennedy Center (Washington, DC), Goggleworks (Reading, PA), Hillyer Art Space (Washington, DC), Arlington Art Center (Arlington, VA), Visarts (Rockville, MD), and the Washington Project for the Arts (Washington, DC). Herman’s work has been written about and featured in Hyperallergic, New American Paintings, The Washington Post, NPR, and East City Arts. Herman is an alumna of the Maryland Institute College of Art (MFA, 2020) and the Sparkplug artist collective sponsored by the DC Arts Center.

Michelle Lisa Herman

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