Two Dimensions

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Untitled (Ideal City) #1 by Michelle Lisa Herman — *Untitled (Ideal City) #1*
2022; Digital Print on Silk

A drawing of three red wacky inflatable men — *Untitled (How to Do Nothing)*
2022; Colored Pencil on Toned Paper

Untitled (Legs, Lips, Lines) #1 2021; Giclee print — *Untitled (Legs, Lips, Lines) #2*
2021; Giclee print

Digital collage depicting a filmstrip of legs and a mouth with a tongue sticking out — *Untitled (Legs, Lips, Lines) #1*
2021; Giclee print
Like this piece? It is available as a pattern on a variety of websites. Check out the patterns page for more information

Photograph of the book "Let's Talk Art" — *Let's Talk Art*
2020; Artist book (written in collaboration with machine learning software). View project page

Watercolor painting of a blank billboard in a field — *Untitled (Billboard)*
2020; Watercolor and wax on paper

Drawing of "Last Judgment" sculpture depicting a blow-up doll on a Roomba — *Untitled (Last Judgment), Drawing*
2020; Mixed media on paper
Like this piece? It is available as a pattern on a variety of websites. Check out the patterns page for more information

<em>A New York Minute</em> — *A New York Minute*
2020; Collage

Collage of a string of pearls, a window, and an industrial pillar on abstract background — *Pillars of...*
2020; Collage

Abstract collage with rubber ducks and the text that says "I Did This All For You" — *I Did This All For You*
2020; Collage on found paper

Collage depicting a solar eclipse with a record instead of a sun — *Like a Record Baby*
2020; Collage

Line drawing of two pillars 'facing' each other — *Mirror/Pillars*
2019; Graphite and charcoal on paper

Untitled (The Treachery of Images) #1 by Michelle Lisa Herman — *Untitled (The Treachery of Images) #1*
2018; Acrylic on canvas

*Untitled (The Treachery of Images) #2*
2018; Acrylic on canvas

*Untitled (The Treachery of Images) #3*
2018; Acrylic on canvas

*Untitled (The Treachery of Images) #4*
2018; Acrylic on canvas

Drawing depicting two cellphones spooning — *A Series of Affectionate Devices, #1*
2017; Pen and ink on paper

Drawing depicting two cellphones hugging — *A Series of Affectionate Devices, #2*
2017; Pen and ink on paper

Drawing depicting two cellphones interacting sexually — *A Series of Affectionate Devices, #3*
2017; Pen and ink on paper

Artwork

Conceptual, new media, video, and other artwork by emerging interdisciplinary artist Michelle Lisa Herman located in Washington, DC

Michelle Lisa Herman is a Washington, DC-based multidisciplinary artist whose practice spans theoretical and philosophical research, feminist and disability politics, comedy, and conceptualism.Herman has shown internationally in both group and solo exhibitions at locations such as the Centre de Cultura Contemporània de Barcelona (Barcelona, Spain), Cinéma du Foyer Saint-François (Bourges, France), the Corcoran (Washington, DC), The Smithsonian Institution (Washington, DC), The Kennedy Center (Washington, DC), Goggleworks (Reading, PA), Hillyer Art Space (Washington, DC), Arlington Art Center (Arlington, VA), Visarts (Rockville, MD), and the Washington Project for the Arts (Washington, DC).Herman’s work has been written about and featured in Hyperallergic, New American Paintings, The Washington Post, NPR, and East City Arts. Herman is an alumna of the Maryland Institute College of Art (MFA, 2020) and the Sparkplug artist collective sponsored by the DC Arts Center.

News

Interview in Culture Caleidoscoop October 10, 2022
Contribute to the Lamond-Riggs/Lillian J. Huff Library “Heritage Wall” July 24, 2022
February 4, 2022 Review in the Washington Post by Mark Jenkins February 14, 2022
Solo Exhibition at Stone Tower Gallery, Glen Echo Park January 5, 2022
“Hello!” Exhibition Curated by Vesela Sretenovic October 27, 2021

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